Intersections of Vacuum and Sound in Quantum Art
In the work of Grazia Santarpia, each creation stands as a soundscape, a visual affirmation of the vibrations that permeate reality.
Through a language composed of curves and tones, the artist reveals the interconnection between matter and consciousness, showing that atoms and quarks, present on both a hand and a rock, They are not separate entities., but notes of a single cosmic symphony.
These elements, that vibrate at different frequencies, they invite us to recognize the silent music of the world around us.
Japanese calligraphy, with its respect for “emptiness” as non-emptiness, guides the Santarpia approach, where each stroke is a sign of presence and absence, a dialogue between the visible and the invisible.
In this dialog the reflections from poets like Paul Celan, who, in his verses, explores “emptiness” as a dimension of isolation and, both, of deep beauty.
The artist is inspired by thinkers such as Lao-Tze, that reminds us that emptiness is not mere absence, but a potential for creation, a canvas on which reality can be painted.
The experiences of loneliness and dysfunction, from which Santarpia feeds, evoke the echo of Virginia Woolf, who in his writings often investigates the human condition of isolation, as an atmosphere that can generate both anxiety and inspiration.
His art emerges as a quantum microscope, revealing the states of natural matter and inviting the viewer to explore a realm of infinite possibilities.
Marius Schneider stated that music is the manifestation of the invisible.; similarly, Santarpia art acts as a portal to a dimension in which the concept of emptiness is transformed into fertile ground for the reflection and the creativity.
